On the ground, Zura Lagarde spills her menstrual blood, as if she were sealing a pact with the earth. She calls it "sowing blood." The combination between these close-ups and the mountainous landscapes that are part of the "Dias de Luna" series intensify the overwhelming intuition of being in the presence of something archaic and makes both the fragment of wet land and the surrounding mountains share the same sensation of intimacy, typical of sacred things. Juan Antonio Molina